Live production transmission from Ricordata, Hollywood
Simply writing a nasty, vindictive song, decimating the fascists of the status quo—in any geography—and chatting to Roger (Waters). Fully benefiting from the free-flow, automatic speech of the live medium, I have stumbled upon a nifty concept in this show: to address Roger Waters, the man who has brought up KiNo as a conceptual musician.
Since I am the most censored poet in the world, it makes perfect sense now to aim at only one person for full engagement with what I am building here—the one who can grasp my poetic, musical and revolutionary magnitude.
From here on, I’m just talking to Roger. He is the projected audience of this shadowbanned rebel. And he will harness me in due time to the forefront of the resistance.
Simply writing a nasty, vindictive song, decimating the fascists of the status quo—in any geography—and chatting to Roger (Waters). Fully benefiting from the free-flow, automatic speech of the live medium, I have stumbled upon a nifty concept in this show: to address Roger Waters, the man who has brought up KiNo as a conceptual musician.
Since I am the most censored poet in the world, it makes perfect sense now to aim at only one person for full engagement with what I am building here—the one who can grasp my poetic, musical and revolutionary magnitude.
From here on, I’m just talking to Roger. He is the projected audience of this shadowbanned rebel. And he will harness me in due time to the forefront of the resistance.
